[Bilimsel Haber] CfP: ICTM STG for Music and Dance in SE Europe - Berovo, 2012

[kurtisogl1 at itu.edu.tr]

INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC
THIRD SYMPOSIUM OF THE ICTM STUDY GROUP FOR MUSIC AND DANCE IN SOUTHEASTERN
EUROPE

17 - 22 April, 2012 BEROVO, MACEDONIA

FIRST CALL FOR PAPERS May, 2011
DEADLINE FOR SUBMISSIONS: 30 October 2011

We are pleased to announce the Third Symposium of the ICTM Study Group for
Music and Dance in Southeastern Europe and invite proposals to be submitted
by 30 October, 2011. Please note that in accordance with our aims and
objectives as a Study Group of the ICTM this bi-annual event is not a
general conference but a Study Group meeting or workshop dedicated to two
selected themes which will form the focus of our presentations and
discussions.

PLACE
BEROVO, MACEDONIA
Meeting place and accommodation - Hotel Manastir, Berovo
http://www.hotelmanastir.com.mk/
Arrival date 17 April, 2012
Departure date 22 April, 2012
The local organizer will provide round transport from Skopje (Airport
Alexander the Great) to Berovo.

TOPICS
Working sessions of the ICTM Study Group on Music and Dance in South-Eastern
Europe

Topic 1:
Terminology and theoretical approaches of southeastern European music and
dance
The exploration of this topic provides an opportunity for the Study Group to
discuss the commonalities and differences of theoretical approaches used in
academic studies on southeastern European music and dance
. with specific or shared terminology
. consideration of regional and national approaches to theory
. traditional and scholarly terms in international and local usages
. comparative terms for instruments, songs, and dance movements
. translations or replacement of traditional terms by understandable
scientific terms (coercions for new notations, comparisons of meanings,
variety of meanings for a concrete term, the terminology as a key for
understanding the variety of historical musical experience).
. polisemy of the terminology (outlining of spaces of meaning/semantic
fields of the terms): aspects, nuances and overlays.
. dynamics of the terminology in historical aspect: formation, durability,
change, novelty (diachronic segmenting of a given term, historical overview
of a term).
. terms as instruments for comprehension, "ordering", classification and
understanding music and dance.

Topic 2.
Crossing national boundaries/intercultural communication
Presentations on this topic can cover music and dance practices of
southeastern Europeans related to:
. maintenance of traditions in closed or open societies
. hidden minorities
. living in areas that are historically established as ethnic, political, or
military buffer zones
. migrations that are temporary or considered permanent
. migrations for economic, political, military or other reasons
. influences or effects due to forced or self-motivated migrations
. multi-cultural contexts
. Pan-Balkan musical and dance practices and events (in the fields of world
music, ethno music, Balkan beats, etc.)

We welcome proposals that address one or more of these questions and other
related issues that arise directly from the themes. All proposals should be
based on substantial fieldwork experience and/or textual elaboration.

We invite proposals for individual presentations, panels and round tables.
They are to be sent by email before 30 October, 2011.

LANGUAGES
English is the official language of the symposium, and only papers to be
delivered in English can be accepted. Proposals must be submitted in
English.

PROPOSAL FORMAT
Please send your proposal by email. The text (no more than 300 words) should
be pasted into the body of the email and also sent as a Word.doc or Rich
Text Format (RTF) attachment to ensure access. If you are unable to send
your proposal by email, you may send a hard copy plus computer diskette.
Please label all communications clearly with your full contact details. It
is expected that all individual presentations and panels will present new
insights. Proposals for presentations that were previously given or have
appeared in print, or in other formats, will be rejected.

PLEASE NOTE THAT PARTICIPANTS ARE LIMITED TO A SINGLE PRESENTATION.
The Program Committee reserves the right to accept those proposals that, in
their opinion, fit best into the scheme of the symposium, and that can be
accommodated within the time frame of the symposium.

Program Committee
Speranta Radulescu (Romania), chair - e-mail: rsperanta at gmail.com
Selena Rakochevic (Serbia), e-mail: selena at rakocevic.rs
Lozanka Peycheva (Bulgaria), e-mail: lozanka.peycheva at gmail.com
Mehmet Ocal Ozbilgin (Turkey), e-mail: ocal.ozbilgin at ege.edu.tr
Liz Melish (UK), e-mail: eliznik at eliznik.org.uk

Local Organizers
Velika Stojkova Serafimovska, e-mail: lika73 at yahoo.com
Ivona Opetcheska Tatarchevska, e-mail: itatarcevska at ymail.com

WHERE TO SEND THE PROPOSALS
Proposals should be sent by email to both
Speranta Radulescu, Chair of the Program Committee e-mail:
rsperanta at gmail.com
Liz Melish, secretary of the ICTM STG on Music and Dance in Southeastern
Europe e-mail: eliznik at eliznik.org.uk

The committee can not consider proposals received after the deadline of 30
October 2011. Notification of acceptance or rejection will be announced by 1
January 2012. If you have a deadline for funding applications for travel,
accommodation, and so on, please notify the Program Committee of your
deadline date.

MEMBERSHIP
Please note that the Program Committee will only consider proposals by
current members of the ICTM in good standing for 2011. Please contact the
Chair, Velika Stojkova Serafimovska (lika73 at yahoo.com) and/or the Secretary,
Liz Mellish (eliznik at eliznik.org.uk) for membership of the Study Group.
Members may join and submit a proposal at the same time. Membership
application forms are available at the ICTM website. For membership
questions, contact the ICTM Secretariat at www.ictmusic.org/ICTM/info.php

PRESENTATION FORMATS
You may present once only during the symposium. Please indicate clearly your
preferred format. If members have any questions about the program, or the
suitability of a proposal, please contact the Program Chair or a member of
the Program Committee and ask for assistance. Colleagues are advised to
bring alternative modes of presentation delivery if using PowerPoint, DVD,
and so on in case of unexpected technical difficulties on the day of
presentation.

Individual Presentations
Presentations from individual members, if accepted, will be grouped by the
Program Committee into sessions of one and a half hours. Each presentation
will be allotted 20 minutes inclusive of all illustrations, audio-visual
media or movement examples, plus 10 minutes for questions and discussion.
There will be no deviation allowed from this time allotment. A 20-minute
paper is normally around 5 pages of double spaced type. Please submit a one
page abstract (about 300 words) outlining the content, argument and
conclusion, its relation to the symposium theme you have chosen to address,
plus a brief bibliography and/or statement of sources, if appropriate, on a
second page. Please include the type of illustrations to be used in the
presentation, such as slides, DVD, video (including format), and so on.

Media Presentations
Media presentations should be no more than 20 minutes in duration. You will
be allotted 10 minutes extra for questions. Your presentation should engage
critically with the media (video, CD, DVD, and so on) and key material for
viewing should be pre-selected. It is essential that your presentation
addresses one of the two themes. Please submit a one page abstract (about
300 words) outlining content, argument and conclusion, the relevance of the
media presentation to the selected theme, plus a brief bibliography and/or
other sources.

Panels
We encourage presentations in the form of panels: sessions that are entirely
planned, coordinated, and prepared by a group of people, one of whom is the
responsible coordinator. Proposals may be submitted for panels consisting of
three or four presenters and the structure is at the discretion of the
coordinator. The proposal must explain the overall purpose, the role of the
individual participants, and signal the commitment of all participants to
attend the conference. Each panel proposal will be accepted or rejected as a
whole. Submit a short summary (one-page) of the panel overview, and an
individual paper proposal, as described under Individual Papers above, for
each presenter. All of the proposals for a panel should be sent together.
Proposals should address one or more aspects of the established themes of
this meeting. Total length of a panel will be one hour (with an additional
20 minutes for comments and responses).

Roundtables
We also encourage presentations in the form of roundtables. These are
sessions that are entirely planned, coordinated, and prepared by a group of
people, one of whom is the responsible coordinator. The aim is to generate
discussion between members of the roundtable who present questions, issues,
and/or material for about 5 minutes on the pre-selected unifying theme of
the roundtable. The following discussion, at the convener's discretion, may
open into more general discussion with the audience. The total length of a
roundtable will be one and a half hours inclusive of all discussion.

Proposals may be submitted for a roundtable consisting of up to 10
presenters, and the structure is at the discretion of the convener who will
chair the event. The proposal must explain the overall purpose, the role of
the individual participants, and signal the commitment of all participants
to attend the symposium. Each roundtable proposal will be accepted or
rejected as a whole.
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