[Bilimsel Haber] CFP: Future Literature, Future Art 2 (Poland) (11/17/06; 11/30/06-12/2/06)

Sule Tarakcioglu suletar at kulturad.org
14 Ağu 2006 Pzt 09:29:57 EEST


2nd Global Conference
Future Literature, Future Art: Probing the Boundaries of Criticism

Thursday 30th November - Saturday 2nd December 2006
Cracow, Poland

Call for Papers
(please cross post where appropriate)

  This conference aims to take stock of the genealogy of current
literary and artistic practices and their critical adjuncts with a view
to speculating on future developments in both literature, art and
criticism. An inter-disciplinary approach will be adopted so as to
provide the basis for dialogue between the various disciplines currently
inputting into literary, artistic and critical production.

With respect to literature, the relationship between literature and
criticism has undergone radicalisation in the last century. The very
clarity of the distinction between the two has become problematic, with
various kinds of fusions and blurrings between the two coming to the
fore.  While many cite the crucial juncture as the Surrealists’
transdisciplinary aesthetic, it is possible to trace the source of the
revolution in literature and criticism back to key texts such
Lautréamont’s Maldoror and to the Symbolist emphasis on a more
conceptual approach to literary production. While, in Germany, Heidegger
developed an enigmatic aesthetic through oblique readings of Trakl and
Hölderlin amongst others, in France this radicalisation of literary and
critical practice was intensified through movements such as Dada, Oulipo
and figures such as Bataille, Blanchot, Leiris and Roussel. In the ‘70s,
this tendency was developed through the work of Tel Quel. Many of the
figures associated with Tel Quel, such as Derrida and Kristeva, have
maintained this influence to the present. Meanwhile, the more recent
upsurge of interest in Deleuze’s critical work on literature has opened
up this problematic to English language texts, such as those of
Melville, Lewis Carroll and Scott-Fitzgerald. This also reveals the
possibility of reading a different Anglo-American genealogy for our
problematic, through figures such as the Beats, De Lillo, Pynchon, Amis
and Roth.

With respect to art, similar questions of the status of the art work and
conflicting fundamental paradigms apply as in the case of literature.
Since Duchamp, the question ‘what is art?’ has become constitutive of
art practice in an unprecedented way, linking the diverse movements of
Dada, Pop, Fluxus, Minimalism and Conceptual art amongst others.  Some
see recent art practice as a return to more empirical concerns while
others see it as an extension and intensification of the question ‘what
is art?’ What links, for example, the work of a Paul McCarthy to a
Tracey Emin, if anything? Or Balthus and Bruce Nauman? Can we place
under one genre performance art, video art, figurative painting,
abstract painting, photography, digital art? Central here are the
questions of the relation between postmodern art and modernism and the
issue of the lingering influence of Romantic paradigms on art in a
supposedly post-Romantic age.

This conference attempts to address such questions through a focus on
the concept of ‘future art’ and papers are welcome on these and related
themes. As Hans Richter said of Dada, ‘our real motive force was not
rowdiness for its own sake, or contradiction or revolt in themselves,
but the question (basic then, as it is now), ‘where next?’

Papers, workshops, reports, and presentations are invited on any of
these other related themes. 300 word abstracts should be submitted by
Friday 22nd September 2006. Full draft papers should be submitted by
Friday 17th November 2006.

All papers accepted for and presented at this conference will be
published in an ISBN eBook. Selected papers accepted for and presented
at the conference will be published in a themed hard copy volume.

Papers should be submitted to the organising committee as an email
attachment in Word or WordPerfect; abstracts can also be submitted in
the body of the email text rather than as an attachment.

Dr Jones Irwin
St Patrick's College
Dublin
Ireland
Email: Jones.Irwin at spd.dcu.ie

Dr Rob Fisher
Inter-Disciplinary.Net
Freeland, Oxfordshire OX29 8HR
United Kingdom
Email: flfa at inter-disciplinary.net

The conference is part of the ‘Probing the Boundaries’ programme of
research projects. It aims to bring together people from different areas
and interests to share ideas and explore various discussions which are
innovative and exciting.

For further details about the project, please visit:
http://www.inter-disciplinary.net/ptb/flfc/flfc.htm

For further details about the conference, please visit:
http://www.inter-disciplinary.net/ptb/flfc/flfc2/cfp.html

          ==========================================================
               From the Literary Calls for Papers Mailing List





BilimselHaber mesaj listesiyle ilgili daha fazla bilgi