[Discussion] UPDATE: Parties/Shared Space (grad) (12/15/04; 4/9/05-4/10/05)
Sule Tarakcioglu
suletar@bilkent.edu.tr
Tue, 09 Nov 2004 08:51:38 -0800
****PLEASE NOTE NEW CONFERENCE DATES****
CALL FOR PAPERS: INTERDISCIPLINARY CONFERENCE ON PARTIES/SHARED SPACE
University of Southern California
18th Annual AEGS (Association of English Graduate Students) Conference
April 9-10, 2005
Los Angeles, CA
You are invited to . . . submit papers or panels in all disciplines
including literature, film, history, psychology, technology studies,
anthropology, sociology, cultural studies, and performance studies
responding to the conference theme of Parties/Shared Space.
Parties are generally thought of as fun places to gather, environments
for celebrating around a certain theme or merely as occasions to
socialize. Parties provide a context in which to question and examine
shared space. Describing the =A1=A7party-like atmosphere,=A1=A8 or the
carnivalesque, which is infused into everyday society, Mikhail Bakhtin
writes that in the carnival there is a leveling of performers and
spectators, a kind of de-hierarchization, and that =A1=A7all distance
between people is suspended, and a special carnival category goes into
effect: free and familiar contact among people.=A1=A8 Although Bakhtin
primarily discusses the influence of the carnival on literary
discourses, theories of parties can be extended well beyond the
literary, into many areas of modern thought. For example, Elizabeth
Grosz, in reflecting upon virtuality, writes that Cyberspace links
=A1=A7disparate physical spaces and individuals through a shared virtual
space.=A1=A8 What are the limits to imagining parties!
and s
hared space?
Topics may include, but are certainly not limited to, the following:
=A1P Literary/Artistic gatherings (i.e. Bloomsbury Group, Beat Poets,
Warhol=A1=A6s Factory)
=A1P Masquerade
=A1P 18th-Century Salons
=A1P Coteries/Renaissance Poets
=A1P Subcultures
=A1P Celebrations (i.e. Early Modern Period, Greco-Roman Feasts)
=A1P Harlem Renaissance
=A1P Prohibition/Speakeasies/Blind Pigs
=A1P Films centering around parties (i.e. Hitchcock, Kubrick)
=A1P Rituals
=A1P Weddings/Wakes/Funerals
=A1P Performance/Dance/Theater
=A1P Political Activism/Protests/Grass-roots organizations
=A1P Negative conceptions of parties (i.e. The Mob, Riots)
=A1P Crowds and claustrophobia
=A1P Collective vs. Individual Identities (gendered, raced, sexed, and/or
ethnically constructed notions of shared space)
=A1P Cyberspace/Chat rooms/Internet communities
=A1P Audiences
=A1P Geographically specific or classed spaces/gatherings (i.e. urban vs.
rural, gangs)
=A1P Public Sphere (i.e. according to Habermas)
=A1P Schizophrenia
Keynote speaker and after party information TBA
Come to our party! Please submit a working title and a 500-word abstract
by December 15, 2004 to:
Laura Scheurer, lauralon@usc.edu and Yetta Howard, yettahoward@yahoo.com
Please paste submissions into the body of the email rather than send as
an attachment. Include =A1=A7Parties Conference=A1=A8 in the subject head=
ing.
Proposals should also include name, institutional affiliation, address,
phone number, and email address of the presenter. If proposing a panel,
please include the above information for all participants.
***************************************
Yetta Howard, M.A.
Assistant Lecturer, Writing Program
Doctoral Student, English Department
University of Southern California
E-mail: yetta.howard@usc.edu
***************************************
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