[Bilimsel Haber] CFP: Music and Power: Historical Problems and Perspectives in Russia, Eastern Europe and Eurasia (Miami U, Oxford, OH, Feb. 28 - Mar. 2, 2013)
Gonul Pultar
gonul at pultar.org
26 Mayıs 2012 Cmt 10:46:13 EEST
from Serguei A. Oushakine <oushakin at princeton.edu>
CALL FOR PAPERS
Music and Power: Historical Problems and Perspectives in Russia, Eastern
Europe and Eurasia
Miami University (Oxford, Ohio, USA)
February 28-March 2, 2013
Sponsored by the Havighurst Center for Russian and Post-Soviet Studies,
and the Departments of Music, the School of Fine Arts, and the Jewish
Arts and Culture Series (Posen Foundation)
Organizers: Dr. Rebecca Mitchell, Dr. Ricardo Averbach and the
Havighurst Center for Russian and Post-Soviet Studies
From the time of Plato if not before, the fraught relationship between
music and power has attracted commentary, discussion and debate.
Focusing primarily on the lands of Russia, Eastern Europe and Eurasia,
this conference will unite scholars from across the disciplines to
examine how power relations and musical expression have mutually
informed and shaped each other over time. Those in positions of power
have traditionally sought to control music’s communicative and
transformative potential – either by directly limiting it (perhaps most
noticeably when censors have declared a work or composer “unsuitable”
for ideological reasons), or by harnessing it for their own ends. But
music has also been employed as a means of resisting or undermining
power relations of all kinds. Thus while music and power are clearly
entwined within the public sphere, this relationship has also found
expression in more subtle forms of human interaction and has shaped the
expression of multiple politically relevant identities (national,
ethnic, religious). This conference will address important questions
regarding the multifaceted interrelationship between music and power,
including but not limited to: Who decides what constitutes “suitable”
music within a given social, political and historical context? What role
has censorship played in shaping musical expression? How has music been
implicated in abuses of power? How has music been used to advance
imperialist ambitions? How did musical expressions of “national” unity
support or undermine the political and social structures of multi-ethnic
empires? What impact has musical nationalism had on the social and
political contexts in which it emerged? How have identity politics
shaped musical creativity? How has music been employed in resistance to
social, cultural, national or hierarchical control?
We invite submissions from scholars interested in developing
cross-disciplinary approaches to the study of music in human history and
culture.
In addition to scholarly discussion and exchange among panelists, the
conference will include two keynote speakers: Dr. Richard Taruskin
(UC-Berkeley) and Dr. James Loeffler (University of Virginia). A
symphonic performance, conducted by Dr. Ricardo Averbach, will be held
the evening of March 1, 2013 in Oxford.
We encourage proposals both from young researchers who have completed
their dissertation research (ABD) and from established scholars in any
field of the humanities or social sciences. As we plan to publish a
conference volume based on papers presented, all participants will be
required to submit their completed paper one month prior to the conference.
All presenters will be provided with accommodations in Oxford, ground
transportation to and from the airport, and partial travel funding (up
to $400 for domestic travel, $800 for international travel).
To be considered for the conference, submit an abstract of approximately
300 words and a short CV to mitcher3 at muohio.edu by September 1, 2012.
Please include “2013 Music and Power Conference” in the subject line.
Selected papers will be announced by October 1, 2012.
Inquiries may be directed to:
Dr. Rebecca Mitchell
The Havighurst Center
Harrison Hall Room 116
Miami University Oxford, Ohio, 45056-2816
USA
+1 (513) 529-0942
mitcher3 at muohio.edu www.muohio.edu/havighurstcenter
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