[Bilimsel Haber] PUBL: James Baldwin's Turkish Decade: Erotics of Exile

[Gonul Pultar]

      Book | James Baldwin's Turkish Decade: Erotics of Exile

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<http://4.bp.blogspot.com/_4NsxaqK7h8E/SgO0BtU016I/AAAAAAAACWU/XtZDca0AKx8/s1600-h/baldwinturkey> 
The Feb. 9-16th issue of The NewYorker has an essay, Another Country, by 
Claudia Roth Pierpont about James Baldwin’s trip to Istanbul in the 
early 1960s. There is a new book out about this journey and about his 
later life (James Baldwin’s Turkish Decade, by Magdalena J. Zaborowska) 
that the essay reviews. Baldwin's novel, "Another Country," is datelined 
"Istanbul, Dec 10, 1961" and "Tell Me How Long the Train's Been Gone" 
was largely written in the city in 1968. During his first visit in 1961 
he met a young teacher from Robert College, David Leeming who became his 
secretary in Istanbul and later in New York and for the last twenty-five 
years of the writer’s life, that intimacy has helped him to produce a 
biography that gets beneath the celebrity to the writer and the man.. A 
small collection of letters between Baldwin and Engin Cezzar a Turkish 
actor, co-dedicatee of Tell Me How Long the Train’s Been Gone, and the 
man responsible for providing the troubled writer and civil rights 
activist with an unlikely hiding place in Istanbul is now published in 
Turkey by Yapi Kredi Yayinlari with an introduction by James Campbell, 
[1] the author of a biography of James Baldwin, Talking at the Gates, 
1991. Cezzar’s book, Dost "Mektuplari Letters of Friends" is made out of 
roughly a hundred pages of Baldwin’s letters, complemented by Engin’s 
replies and by Baldwin’s notes for their work together in the theatre. 
(Book cover photo provided by Sedat Pakay 
<http://www.blogger.com/www.sedatpakay.com/>)

[1] See Article:James Baldwin's letters to Istanbul 
<http://tls.timesonline.co.uk/article/0,,25336-2645979,00.html> by James 
Campbell.
Mavi Boncuk

James Baldwin's Turkish Decade: Erotics of Exile by Magdalena J. 
Zaborowska Paperback: 416 pages Publisher: Duke University Press (2009) 
ISBN-10: 0822341670 ISBN-13: 978-0822341673

Table of Contents List of Illustrations; Preface: Sightings; 
AcknowledgmentsIntroduction: From Harlem to Istanbul; 1. Between 
Friends: Looking for Baldwin in Constantinople; 2. Queer Orientalisms in 
Another Country; 3. Staging Masculinity in Dusenin Dostu; 4. East to 
South: Homosexual Panic, the Old Country, and No Name in the Street; 
Conclusion: Welcome Tables East and West Notes; Bibliography; Index

Review "Illustrated with stunning photographs, James Baldwin's Turkish 
Decade presents fascinating and little-known details about Baldwin's 
Turkey and offers a new way of reading his works from the 1960s to the 
early 1970s. A small, throwaway reference to Istanbul in Another Country 
now appears momentous." Werner Sollors, Henry B. and Anne M. Cabot 
Professor of English and African American Studies, Harvard University 
"Magdalena J. Zaborowska's excellent scholarship unearths new and 
little-known material about James Baldwin's time in Turkey, particularly 
through her interviews with Baldwin's friends and colleagues in 
Istanbul. Her original analyses of Baldwin's work in the context of his 
Turkish experiences are also outstanding." David Leeming, author of 
James Baldwin: A Biography "Drawing on oral history, archival research, 
literary analysis, cultural studies, and personal 
narrative/(auto)ethnography, Magdalena J. Zaborowska renders a 
multitextured reading of James Baldwin's years in Istanbul. No one else 
has so thoroughly examined the influence of those years on Baldwin's 
work, and anyone who comes after will have to cite Zaborowska. And I 
dare say that no one will be able to capture this story as well as she 
has. James Baldwin's Turkish Decade will change the field of Baldwin 
studies." --E. Patrick Johnson, co-editor of Black Queer Studies: A 
Critical Anthology In 'James Baldwin's Turkish Decade', Magdalena J. 
Zaborowska, a professor of immigrant and African-American literature, 
sets out to explain not only the enduring attraction the city had for 
Baldwin but its importance for the rest of his career...Zaborowska is a 
charming companion as she follows Baldwin s steps through Turkey, 
brimming with enthusiasm at the sights and at the warmth of her 
reception by his friends...she makes us feel how necessary such a refuge 
was as the sixties wore on. --Claudia Roth Pierpont, The New Yorker, 9th 
Feb 2009

<http://2.bp.blogspot.com/_4NsxaqK7h8E/SgO1xkoC7MI/AAAAAAAACWc/ni49C0m53Os/s1600-h/baldwin.jpg>Product 
Description Between 1961 and 1971, James Baldwin spent extended periods 
of time in Turkey, where he worked on many of his most important books. 
In this first in-depth exploration of Baldwin's "Turkish Decade," 
Magdalena J. Zaborowska reveals the significant role that Turkish 
locales, cultures, and friends played in Baldwin's life and thought. 
Turkey was a nurturing space for the author, who by 1961 had spent 
nearly ten years in France and Western Europe and failed to re-establish 
permanent residency in the United States.Zaborowska demonstrates how 
Baldwin's Turkish sojourns enabled him to re-imagine himself as a black 
queer writer and to revise his views of American identity and U.S. race 
relations as the 1960s drew to a close. Following Baldwin's footsteps 
through Istanbul, Ankara, and Bodrum, Zaborowska presents many never 
before published photographs, new information from Turkish archives, and 
original interviews with Turkish artists and intellectuals who knew 
Baldwin and collaborated with him on a play that he directed in 1969.She 
analyzes the effect of his experiences on his novel "Another Country" 
(1962) and on two volumes of his essays, "The Fire Next Time" (1963) and 
"No Name in the Street" (1972), and explains how Baldwin's time in 
Turkey informed his ambivalent relationship to New York, his responses 
to the American South, and his decision to settle in southern France. 
James Baldwin's "Turkish Decade" expands knowledge of Baldwin's role as 
a transnational African American intellectual, casts new light on his 
later works, and suggests ways of reassessing his earlier writing in 
relation to ideas of exile and migration.







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/(Mavi Boncuk)
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