[Bilimsel Haber] Inside Knowledge: (Un)doing Methodologies,
Imagining Alternatives
gonul at pultar.org
gonul at pultar.org
Thu Jun 22 07:17:22 EEST 2006
Inside Knowledge: (Un)doing Methodologies, Imagining Alternatives
Location: Netherlands
Call for papers
Inside Knowledge: (Un)doing Methodologies, Imagining Alternatives
The Amsterdam School for Cultural Analysis (ASCA) invites proposals
for an international workshop, INSIDE KNOWLEDGE, to be held at the
University of Amsterdam on March 28-30, 2007.
Confirmed keynote speakers:
Derek Attridge (University of York)
Leo Bersani (University of California, Berkeley)
Steven Connor (Birkbeck College, London)
Saurabh Dube (El Colegio de Mexico)
Bruce Holsinger (University of Virginia)
Scholars think of themselves as having ?inside knowledge? or being
?inside? knowledge. The state of being inside can be interpreted as a
comfort zone or privileged position, or on the other hand, a trap
excluding other ways of knowing. Is being inside knowledge a kind of
all-compassing frame forming our subjectivity or are scholars active
agents in this process? Do we discover or invent knowledge? While the
myth of knowledge as objective and neutral appears to have been
debunked, a question remains unresolved: If not objectivity, then what?
In search for an answer to this question, academic disciplines today
often find themselves trapped between relativist and essentialist
tendencies. Faced with the new multiple and complex realities of
globalization, cross-cultural encounters and conflicts, the inadequacy
of old approaches to knowledge underscores the need for either radical
revisions of traditional modes of knowledge production, or alternative
ways of doing and thinking knowledge. Disciplines therefore appear to
be in need of specific methodologies, which could function across
disciplinary borders and provide (tentative) grounds for inter- or
transdisciplinary communication.
The previous ASCA workshop focused on specific issues of commitment
and complicity for self-reflexive, engaged and responsible
scholarship. This year, we have decided to make knowledge itself an
issue. In dedicating a whole workshop to the admittedly vast issue of
knowledge, we intend to bring practices and theories of knowledge to
the foreground, thereby making knowledge a starting point for critical
discussion and interrogation, rather than a pre-given fundament of our
academic, scientific and everyday practices.
By revisiting the theme of knowledge, we wish to challenge, question
and resist existing methodologies; revise traditional modes of
knowledge production; revisit the histories of knowledge and
epistemologies of the past and the present; culturally contextualize
and situate knowledge; discuss new emerging regimes of knowledge and
the power relations that they (re)inscribe; imagine different ways of
experiencing and doing knowledge; and, finally, dare to envision the
future of our various disciplines through different ways of knowing.
In light of the above, we encourage workshop participants to explore
the issue of knowledge through the following panel themes:
1. Knowledge production: conversation or conservation?
2. Configurations and practices of knowledge
3. Resisting knowledge
4. Alternative sites for knowledge
5. Corporeality and the senses as sites for knowledge
6. Technologies and methodologies of knowledge
For more on each thematic panel, see below.
We welcome proposals from a range of disciplines, including (but not
limited to) art history and theory, literary studies, cultural
studies, film and media studies, theatre, dance and performance
studies, philosophy, history, gender studies, queer theory, art and
design, musicology, anthropology, sociology, political science,
geography, religion studies, and linguistics.
This conference is the latest in a series of ASCA International
Workshops and is inspired by the 2005-2006 ASCA theory seminar on Ways
of Knowing, organized by Mieke Bal. Please send your one-page proposal
(500 words maximum) and a short biographical note by 1st October 2006
to the ASCA office: asca-fgw at uva.nl, Dr. Eloe Kingma (managing
Director ASCA), Oude Turfmarkt 147, 1012 GC, Amsterdam., tel: +31 20
525 3874. Please indicate in your proposal which panel theme (out of
the six mentioned above) you believe your proposal would best fit in.
Proposals will be selected according to their relevance to the topics
of the conference. The workshop format is designed to stimulate
discussion in the panels. For this purpose, participants will be asked
to send the final version of their papers (no more than 4000 words)
two months prior to the conference. We shall strictly adhere to this
deadline since we will prepare a reader for each of the panels in
advance, to be circulated before the conference. Upon permission of
each participant, the papers will also be placed on the official
website of the workshop beforehand, and will be accessible only to the
participants through a username and password. This way, participants
can also have access to papers from other panels that fall within
their interest, something that will hopefully encourage communication
among the people of the workshop and create an ongoing discussion.
During the workshop, instead of reading their papers, participants
will give a short summary of their work and make connections with
other people?s contributions in the panel. To stimulate discussion
rather than formal presentations, each participant is asked to limit
their presentations to 10 minutes.
For more information and updates on the workshop, please visit our
website: www.insideknowledge.nl
Organizing Committee: Carolyn Birdsall, Maria Boletsi, Itay Sapir,
Pieter Verstraete
Thematic Panels:
Knowledge production: conversation or conservation?
Knowledge can be thought of as vertical or as horizontal. The former
concept implies a solidly structured knowledge based on clear
foundations; the latter understanding of knowledge sees it as based on
social negotiation and constant conversation. Whereas the ?horizontal?
spatial metaphor has gained important currency in the various schools
of ?theory? (Deleuze, Rorty and others), it seems that in the everyday
practice of most scholars in the humanities the idea of a systematic,
hierarchical and well-established knowledge is still the ideal model
to follow. And then again, many possible combinations of the two are
imaginable.
This state of affairs, with its highly political ramifications, raises
many questions that this panel will revolve around: What are the
advantages and the problems of each concept of knowledge?
Historically, which concept of knowledge was prevalent in which kind
of social and intellectual circumstances, and what is the situation
today? How is the idea of interdisciplinary or hybrid knowledge
related to the opposition foundational vs. conversational knowledge?
And should there be a distinction between the production and the
communication of knowledge in this respect?
Configurations and practices of knowledge
Theory ideally does not go without practice. Cultural analysis regards
knowledge production as a continuous negotiation and interaction with
the object as a theoretical tool for analytical practice. In this
section we would like to reposition both knowledge in practice and
theoretical research as practice. Different modes of analytical
practice, such as the experiment, the test case or the case study call
for a re-examination of the positions and perspectives the analyst
chooses to take. Such positions could be the exterior microbe-like
perspective and the view-on-high of the theorist (De Certeau), or the
interior perspective of the flâneur (Benjamin) and the artistic
practitioner who perform modes of knowledge by reconfiguring the
immediate spatial modalities. We want to examine how such performative
interventions can lead to new models of theory as practice, and how
they are positioned in practice.
Among the many questions raised in this section are: How can artistic
and analytic practice today still add to the expansion of knowledge?
Which alternative models of knowledge have evolved from these
practices? To which reconfigurations have they led? And how can we
conceptualize practicing modes of knowledge?
Resisting knowledge
Knowledge, especially since Foucault, has been indissolubly linked
with discursive regimes of power. It does not pose as the expression
of a truth that exists ?out there?, but is filtered, mediated, and
subject to processes of cultural translation. Locating knowledge
within discursive limits also entails that there is an outside to the
?knowable,? which resists appropriation by existing modes of thought.
In order to resist knowledge, we sometimes have to refashion the
configurations of knowledge that we inhabit, in order to occasion ?the
other?s irruption into the settled order? (Derek Attridge) and dare to
walk on what Rebecca Saunders has called ?a zone of error?: the zone
of the foreign, the erroneous, the anomalous, the barbaric. One
question we would like to pose in this panel is: what do we do with
the unknown, the (absolute) other, the unintelligible ? that which
exceeds the limits of our discourse? And, perhaps most importantly,
what does the unknown or foreign do to us? If we resist our impulse to
decipher and appropriate the unintelligible into our own modes of
knowing, how could we still turn the encounter with the ?unknowable?
into a productive experience, without having to make sense out of it?
To resist knowledge could also mean to resist the comfort of remaining
within one cultural/social system, and to provoke encounters among
different modes of knowing; to stand at the ?significatory boundaries
of cultures?, which is where, according to Homi Bhabha, ?meanings and
values are (mis-)read or signs are misappropriated?. In this case, the
other of our mode of knowing could be that which subscribes to another
culture, social group, discipline, methodology or code.
Alternative sites for knowledge
In academic practices of knowledge production, we are confronted with
the difficulties in the task of ?thinking otherwise?. This is
especially the case, Gayatri Spivak reminds us, when scholars from
privileged backgrounds attempt to represent and ?know? the experiences
of others. For this reason, it is essential to probe assumptions about
knowledge as objective or ?value free?. When considering the
situatedness of the scholar and their academic practice, we might turn
to Donna Haraway?s notion of the ?privilege of partial perspective?
(1991), where gender is one of the many important and necessary
interventions in standardised forms of knowledge production.
Among the many approaches to ?ways of knowing?, this panel could
prompt a discussion of how non-Western contexts or alternative forms
of knowing interact with dominant frameworks of knowledge production.
What methods can be employed to reflect on the ?situatedness? of the
scholar, along with his/her relation to disciplinary and institutional
contexts? How might an investigation of subcultures, social practices
or material cultures engage in the production of new forms of
knowledge? What alternatives are available to the scholars who want to
participate in radical scholarship or academic practices of discovery?
Corporeality and the senses as sites for knowledge
Knowledge can be regarded as an effect (Althusser), whereby ideology
produces and conditions our modes of knowing. In this sense, knowledge
can also ?affect? the filtering processes of our senses and bodies.
This section places knowledge on and in the body, thereby highlighting
the spatial and corporeal dimensions to knowledge production. We want
to space out the topographies, stratifications, and borders of the
sensing body with both its atavistic and surface levels: the flesh,
the skin, the ?five? senses, affects and emotions as tools for
producing, filtering and storing knowledge. This mapping of the body
will be critically assessed by the question of what it means to know
the world through our senses. The human senses and their intersensory
nature could be discussed in terms of ?embodied knowledge?, a
perceptual and corporeal knowing (?habitus?, literacy and competence),
and an (en)gendered knowledge, including queer, transsexual and other
bodies as sites for knowledge and contestation. These sites seem
nowadays to reach beyond the senses towards a concept of
?posthumanism? (Niklas Luhmann, among others).
Working through cultural objects in relation with the (post-)human
experience invites us to reflect on the following questions: How do we
perform forms of knowledge through sights, smells, sounds, touch? How
do we conceptualize intersensory and transsensory experience? What
kinds of conceptual tools can the body and the senses offer us through
embodied knowledge and corporeal memory? And how could gendered bodies
contest the established theoretical frameworks, narratives, and
categories of analysis?
Technologies and methodologies of knowledge
Discussions about the nature of knowledge can serve as the basis for
the actual elaboration of new methodologies for academic
knowledge-production. Thus, this panel will centre on concrete
strategies and technologies of knowledge in the aftermath of the
undecided debates between poststructuralists and traditionalists,
postmodernists and humanists, rationalists, psychoanalysts,
post-colonialists, and so forth. We propose to consider the following
questions: How do research methodologies in the Humanities reflect
different concepts of knowledge? How can we invent new methodologies
that avoid epistemological problems of existing ones? What are ? and
what could be ? the procedures of legitimation for new methodologies?
While theoretical frameworks are indispensable, we are looking in this
section, for new propositions concerning ?the know-how of knowledge?,
concrete and case-related ways of knowing that can innovate the
research programs of different disciplines ? and, indeed, of
not-yet-existing inter-disciplines.
Dr. Eloe Kingma (managing Director ASCA), Oude Turfmarkt 147, 1012 GC,
Amsterdam, tel: +31 20 525 3874, email: asca-fgw at uva.nl
Visit the website at http://ww.insideknowledge.nl
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