[Discussion] New Media Crossing Boundaries
Gönül Pultar
gonul@bilkent.edu.tr
Sun, 16 Nov 2003 16:42:56 +0200
INTERACTIVE FUTURES: New Media Crossing Boundaries
Victoria Independent Film and Video Festival -
http://www.vifvf.com/
Victoria, British Columbia,
Canada January 30th - January 31st, 2004.
CALL FOR PAPERS, PERFORMANCES, & INSTALLATIONS
INTERACTIVE FUTURES is a forum for showing recent tendencies in
time-based new media art.
The theme of this year's event is New Media Crossing Boundaries.
The crossbreeding between film, sound artists and interactive media
forms is now becoming standard practice. With increasing frequency
artists are stepping out of their traditional media and applying new
media tools and concepts to other media. Such cross-pollination is
evident in the work of one of our special guests this year, Jean
Pich=E9. Originally trained as an electro-acoustic composer, Pich=E9 is
now working as a digital filmmaker and sound artist. Similarly, Paul D.
Miller (AKA DJ Spooky) works across a dazzling array of media - from
dance-based sound to digital installation to pure text works - imparting
a voice of wit and intelligence to these media forms. New Media Crossing
Boundaries will explore how new media is becoming genuinely "multimedia"
and how new media technology and production is changing the face of
traditional media. Scholars and artists working in new media arts,
theory, and criticism are encouraged to submit proposals to present
their work at the conference. Presentations must be at least in part
demonstrative, incorporating digital technologies, interactive or
digital video, sound, or network-based elements. Conference sessions may
combine academic presentations with presentations; we encourage
proposals that push the boundaries of the traditional conference paper
in form and content.
INVITED SPEAKERS / ARTISTS (to be confirmed)
* Paul D. Miller (USA) - Paul D. Miller (AKA DJ Spooky) is a conceptual
artist, writer, and musician working in NYC. His written work has
appeared in The Village Voice, The Source, Artforum, Raygun, Rap Pages,
Paper Magazine, and a host of other periodicals. He is a co-Publisher
along with the legendary African American downtown poet Steve Canon of
the magazine "A Gathering of the Tribes" - a periodical dedicated to new
works by writers from a multi-cultural context, and he was the first
Editor-At-Large of Artbyte: the Magazine of Digital Culture. His work as
an artist has appeared in a wide variety of contexts such as the Whitney
Biennial, The Venice Biennial for Architecture (year 2000), the
prestigious Ludwig Museum in Cologne, Germany; Kunsthalle, Vienna; The
Andy Warhol Museum in Pittsburgh and many other museums and galleries.
Miller has recorded a huge volume of music as "DJ Spooky that Subliminal
Kid" and has collaborated a wide variety of pre-emininet musicians and
composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono
and Thurston Moore from Sonic Youth amongst many others. He also did the
music score for the Cannes and Sundance award winning film "Slam"
starring critically acclaimed poet Saul Williams.
* Jean Pich=E9 (Canada) - Jean Pich=E9 is a composer and video artist
living in Montr=E9al, Canada. Since 1988, he has been teaching
composition and video at the Universit=E9 de Montr=E9al. His creative
output over the past 20 years has explored the more adventurous edges of
high technologies applied to music and moving images, including live
electronics, fixed electronic media and performance. He has received
numerous international awards and his work has been shown and heard in
Europe, Asia and North America. After active collaborations with video
artists like Tom Sherman and Marina Abramovic, he now directs and
produces his own video work, focusing on parallel compositional
paradigms for abstracted visuals and music. His first opera " Yo Soy la
Disentegracion " was produced in 1997 by the Montreal company Chants
Libres. For the past few years, he has been involved in software design
to facilitate the specification of control vectors for digital sound
synthesis and processing. These activities have led to the creation of
the program Cecilia that was awarded First Prize at the International
competition for musical software in Bourges. Since 2000 he has developed
a synchronized video projection system for three large screens and an
image acquisition system with three digital cameras. This system is used
for his productions and was shown over the last three years in Montreal
and in France.
* Ron Wakkary (Canada) - Ron Wakkary is associate professor in
Information Technology & Interactive Arts at Simon Fraser University in
British Columbia. Previously, he has been faculty in Interactive Arts
and the academic dean at the Technical University of British Columbia,
and the Digital Design Department at Parsons School of Design, in New
York. He was cofounder of Stadium@Dia in New York where he collaborated
and co-developed pioneering projects in art and the Internet. He has
lead digital arts technology projects for the Museum of Modern Art, the
Guggenheim Museum, the Dia Center for the Arts, and Electronic Arts
Intermix. Also while in New York, he was principal in OO-Design, a Web
development firm. He has presented and published widely, including
Computer Human Interaction ACM, Siggraph, Interact and Consciousness
Reframed. He graduated with a BFA from the Nova Scotia College of Art
and Design, and an MFA from the State University of New York at Stony
Brook. His current research projects include a recently completed
project with Nokia Research Centre at Tampere, Finland, on gossip, games
and mobile communities, and new projects on audio-based interaction and
pattern language.
PRESENTATION SUBMISSIONS
INTERACTIVE FUTURES is generally interested in artistic and theoretical
work that advances ideas about the integration of new media technologies
in traditional media, and more particularly in electronic art in which
the old boundaries between media are no longer valid.
INTERACTIVE FUTURES encourages artists and theorists to present their
work in the form of DVDs, video tapes, games, and anything in-between.
Presentations should be 45-minutes in length. Proposals should not
exceed 500 words in length. If your presentation requires specific media
or technical support (computer or network access, 35 MM slides,
videotape, etc.), describe your needs in detail, including specific OS
or hardware requirements (Mac OS or Windows), if appropriate. Proposals
should be submitted to electronically to: sgibson@finearts.uvic.ca All
proposals *must* be submitted in text only format either as attachments
to email correspondence or within the body of the email message. If you
would like to present examples of your work please submit a URL for a
web-site with your proposal.
Please be aware that INTERACTIVE FUTURES has no budget for equipment
rental.
The following equipment will be made available for all presenters:
Mac and/or PC computer with Monitor, keyboard and CD-ROM drive. 1400
ANSI lumens Data/Video Projector. VHS Player Portable DVD Player Audio
CD Player
Please be aware that there will no be internet access in the
presentation venue and therefore all presentation material must be
brought on removable devices.
DEADLINE FOR ALL PROPOSALS: Friday, December 12, 2003.
Notification of acceptance of proposals will be sent out by December 31,
2003.
CONTACTS: =46estival Director: Kathy Kay <director@vifvf.com>
INTERACTIVE FUTURES Curator: Steve Gibson <sgibson@finearts.uvic.ca>
INTERACTIVE FUTURES Co-producers: Arthur and Marilouise Kroker
<kroker@uvic.ca>
Victoria Independent Film and Video Festival:
Mailing Address - PO Box 8419, Victoria, BC, V8W3S1, Canada.
Office Address - 808 View Street, Victoria, BC, V8W1K2, Canada.
Tel: (250)389.0444. Fax: (250)389.0406 festival@vifvf.com
__________________________________________________________________
Dr. Steve Gibson, Associate Professor,
Digital Media Visual Arts,
Faculty of Fine Arts,
University of Victoria Victoria,
BC V8W 2Y2 Canada
Voice: +1-250-721-8017 or +1-250-920-7722
fax: +1-250-721-6595
E mail: sgibson@uvic.ca or room101studio@yahoo.ca
Telebody: http://telebody.ws/
Virtual DJ: http://www.telebody.ws/VirtualDJ