[Discussion] latimes

Sat, 21 Sep 2002 18:51:44 +0300

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Haklisiniz !  Bence agdali yazilarin yazarlari bilgi SIGLIKLARINI, anlamak için
yirmi
kere okumak zorunda kaldiginiz yazilarin içinde saklamaga çalisiyorlar .
ergun çagatay

P.S. Bertrand Russell veya Albert Camus en girift düsüncelerini dahi olaganüstü
düz ve basit cümlelerle anlatmayi basaran iki örnektir... tabii daha baskalari da
var .

"emine o.incirlioglu" wrote:

> Zaman zaman, elime gectikce ben de Lingua Franca okurdum, ve ince, igneleyici
> yazilari hosuma da giderdi. Hic abone olmamistim, ve 2001'de aniden yayindan
> kaldirildigini da duymamistim. Uzuldum. Asagidaki yaziyi okurken iki noktanin
> ustunde durmak istedim.
>
> Birincisi, su anda TKAG Bulteninin 8. sayisiyla ugrasiyorm. Bu, benim
> editorlugunu yaptigim son sayi olacak. Bundan sonra kim cikartir bilmem.
> Karamsar olmak istemiyorum (ya da bu konudaki karamsarligimi gostermek
> istemiyorum) ama bu 8. sayi ile Bulten'in yayin hayati da sona erecek gibi
> geliyor. Lingua Franca'nin (bile) onbir yil sonra "artik yeter" diye yayindan
> kaldirildigini okuyunca, biz yine iki yil iyi dayandik diye dusundum.
>
> Ikincisi, dil konusunda.
> "Star includes an angry letter by Judith Butler, a UC Berkeley professor of
> rhetoric, who had been awarded first prize in a "worst writing " contest. Butler
> accuses Lingua Franca of cheap and tawdry journalism. Jim Miller, a New School
> dean, explores the issues in an essay that is almost too magnanimous, "Is Bad
> Writing Necessary?" The question can be answered simply: No. But this is not to
> say good writing must be simple-minded."
>
> Judith Butler'la hicbir alip veremedigim yok. Ama Turkce "bilimsel" yayinlari
> dusunmeme araci oldu bu bolum. Sanki anlasilmasin diye yazilmis; sanki, ne kadar
> anlasilmaz olursa o kadar bilimsel olur anlayisiyla, gunluk dilden ozenle
> uzaklastirilip, agdali ve esrarengiz havalara burundurulmus yazilar sizin de
> sinirinize dokunmuyor mu? Lutfen dokunsun!
>
> Emine Incirlioglu
>
> "Paksoy, Hb" wrote:
>
> > latimes.com
> > September 1, 2002
> >
> > HOW ONE GADFLY PUBLICATION PROVED THAT SIZE REALLY DOESN'T MATTER Small Is
> > Beautiful
>
> > QUICK STUDIES: The Best of Lingua Franca, Edited by Alexander Star, Farrar,
>
> > Straus & Giroux: 514 pp., $18 paper
> >
> >
> > By RUSSELL JACOBY, Russell Jacoby is the author of "The End of Utopia" and
> > "The Last Intellectuals," among other books. He teaches in the history
> > department at UCLA.
> >
> > When Lingua Franca, a plucky review of academic life, abruptly ceased
> > publication in 2001, its readers were left stranded, but who else noticed?
> > Los Angeles may have a book festival and New York may be book country, but
> > few citizens read periodicals devoted to cultural and intellectual matters.
> > Americans, who routinely fork over 30 bucks for a month of television, just
> > as routinely resist paying even a part of that for a year's subscription to
> > a serious magazine. The numbers reflect the dollars. Television programs get
> > bumped if they draw only millions of viewers. But cultural magazines partake
> > of another world.
> >
> > A basic category in the National Magazine Awards is for periodicals with
> > circulation "under 200,000." The term "under" should be emphasized. Many
> > serious periodicals have circulations under 25,000. I used to write for a
> > magazine whose circulation was 1,200. We joked that an American city of
> > 200,000 people might have one subscriber; Chicago's readers could gather for
> > a meal.
> >
> > Yet small (if not beautiful) may be important. Small magazines play big
> > roles. Their impact cannot be measured in numbers. No one would calculate
> > the significance of the 1930s Partisan Review by its circulation figures;
> > the same could be said of earlier journals like the Lively Arts or the
> > Masses. Such magazines are passed around; they are commented upon. They
> > serve as places for authors to try out ideas and for readers to find new
> > writers. Invisible on the surface, the small journals are the intellectual
> > arteries of the body politic.
> >
> > Enter Lingua Franca. In 1990 a former professor of French literature at
> > Yale, Jeffrey Kittay, had the inspired idea to put out a "review of academic
> > life." The academic establishment supports, of course, many professional
> > magazines and one plump weekly newspaper, the Chronicle of Higher Education,
> > directed mainly to administrators. Kittay realized these periodicals omitted
> > the snap and crackle of academic life: the gossip, the lawsuits, the
> > academic stars and their critics, the trends and counter-trends. He sought
> > to publish a smart and brash journal that would capture the campus sizzle.
> >
> > In "Quick Studies," Alexander Star, the editor of Lingua Franca for six of
> > its 11 years, has assembled a representative sampling for the millions of
> > Americans who never subscribed or saw a copy, since the journal never broke
> > the 15,000 circulation barrier. He notes in his introduction that the time
> > was ripe for an irreverent academic journal. Campuses were riven by
> > arguments about the "cultural wars," political correctness, speech codes,
> > multiculturalism, affirmative action, postmodernism and the like.
> >
> > Lingua Franca came out fighting with well-written forays that frequently
> > stepped on toes or, at least, raised eyebrows, most famously with the
> > brilliant hoax by Alan Sokal, a New York University physicist. When the
> > opaque pretentiousness of humanist academics irritated the straight-shooting
> > Sokal, he submitted to a cutting-edge cultural studies journal an article of
> > patent nonsense, dense but filled with fashionable references and phrases.
> > Social Text, and its theoretical bigwigs, took the bait and published the
> > piece--titled "Transgressing the Boundaries: Toward a Transformative
> > Hermeneutics of Quantum Gravity"--only to be stunned by the next issue of
> > Lingua Franca, in which Sokal confessed he had hoodwinked the editors.
> >
> > The Sokal brouhaha brought to the fore disputes about recent turns in
> > humanist disciplines, mainly the rise of postmodernism and cultural studies,
> > to which Star devotes the first section of this collection. He includes the
> > pathetic response by the editors of Social Text, as well as another
> > confession, of an "ex-literary critic" who admits that the arid prose and
> > rote politics served up by literary theorists (including himself) killed his
> > love of literature.
> >
> > Several of the pieces review the jargon of the new academics. To be sure,
> > the phenomenon of English professors who cannot write English is not new,
> > but it has been elevated into a militant program by cultural studies
> > exponents. Its leading figures often appeal to German philosophy to justify
> > their inability to link subject, verb and object; they maintain that the
> > language of humanism must be ungainly to be deep. Lucidity equals
> > superficiality.
> >
> > Star includes an angry letter by Judith Butler, a UC Berkeley professor of
> > rhetoric, who had been awarded first prize in a "worst writing " contest.
> > Butler accuses Lingua Franca of cheap and tawdry journalism. Jim Miller, a
> > New School dean, explores the issues in an essay that is almost too
> > magnanimous, "Is Bad Writing Necessary?" The question can be answered
> > simply: No. But this is not to say good writing must be simple-minded.
> >
> > Lingua Franca ranged far and wide; it took up everything from the troubled
> > relationship between Milan Kundera and his translators to academics as court
> > witnesses and the mysterious murder of a University of Chicago professor.
> > For its readers, every issue offered goodies: news about books and academic
> > life, often featuring a central profile.
> >
> > Star signals a long essay on Jane Gallop as a Lingua Franca model. Gallop, a
> > feminist professor, was accused of sexual harassment by several female
> > students. Like the other piece in this collection on sexual harassment, the
> > article borders on the surreal. Gallop's decision not to write a letter of
> > recommendation caused a student to lodge a complaint of harassment. In the
> > lingo of "sexual harassment," Gallop's refusal demonstrated an intolerable
> > "power differential." The university seriously investigated the charge,
> > although it was finally dismissed.
> >
> > Though Lingua Franca's profiles were frequently entertaining, and sometimes
> > illuminating, Star may have inadvertently played into the hands of critics
> > who called the journal a People magazine for professors. Often numbingly
> > detailed, the profiles succeeded each other even as the ideas receded. One
> > learns, for instance, that Gallop touched the chair of a student with a bare
> > foot but nothing of her intellectual contribution, except that she was a
> > "famous" feminist scholar.
> >
> > Profiles like these begin to feed off the American obsession with fame. We
> > revel in details about the famous, the almost famous or the wannabes, but
> > what are the issues? To be sure, Lingua Franca ran challenging pieces, for
> > instance an essay on the highly regarded literary critic Paul de Man who hid
> > his anti-Semitic past. Yet such pieces became scarcer, and it is perhaps
> > indicative that Star leaves that article out of this collection.
> >
> > What killed Lingua Franca? Several explanations might be offered. For
> > academics, the magazine lacked status. To be published in it brought no
> > credit inasmuch as it was regarded as lowly journalism. To be covered by it
> > was a dubious honor, because you could be not only celebrated but
> > besmirched.
> >
> > The journal was passed along but few professors wanted to be caught with
> > their name on the subscription label. Lingua Franca existed like Playboy
> > among the Boy Scouts, well-circulated and thumbed but rarely purchased.
> > Moreover, probably as a response to Lingua Franca, the Chronicle of Higher
> > Education added more cultural and intellectual coverage, as did the New York
> > Times.
> >
> > Finally, Lingua Franca exposed the open secret about small journals of
> > culture and opinion in contemporary America. For all their repute, with one
> > or two exceptions, they do not make a cent.
> >
> > The New Republics, Harper's, the Nations, and, of course, the Lingua Francas
> > require dedicated souls with deep pockets to pay their bills. After 11
> > years, a backer of Lingua Franca decided enough was enough and pulled out.
> > Nearly 280 million Americans did not notice, but some of us mourned its
> > demise.
> >
> > _______________________________________________
> > Discussion mailing list
> > Discussion@lists.cstgroup.org
> > http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion
>
> _______________________________________________
> Discussion mailing list
> Discussion@lists.cstgroup.org
> http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion

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Haklisiniz !&nbsp; Bence agdali yazilarin yazarlari bilgi SIGLIKLARINI,
anlamak i&ccedil;in yirmi
 kere okumak zorunda kaldiginiz yazilarin i&ccedil;inde saklamaga
&ccedil;alisiyorlar .
 ergun &ccedil;agatay
P.S. Bertrand Russell veya Albert Camus en girift d&uuml;s&uuml;ncelerini
dahi olagan&uuml;st&uuml;
 d&uuml;z ve basit c&uuml;mlelerle anlatmayi basaran iki &ouml;rnektir...
tabii daha baskalari da var .
 &nbsp;
 &nbsp;
 &nbsp;
 &nbsp;
 &nbsp;
"emine o.incirlioglu" wrote:
<blockquote TYPE=CITE>Zaman zaman, elime gectikce ben de Lingua Franca
okurdum, ve ince, igneleyici
 yazilari hosuma da giderdi. Hic abone olmamistim, ve 2001'de aniden
yayindan
 kaldirildigini da duymamistim. Uzuldum. Asagidaki yaziyi okurken iki
noktanin
 ustunde durmak istedim.
Birincisi, su anda TKAG Bulteninin 8. sayisiyla ugrasiyorm. Bu, benim
 editorlugunu yaptigim son sayi olacak. Bundan sonra kim cikartir bilmem.
 Karamsar olmak istemiyorum (ya da bu konudaki karamsarligimi gostermek
 istemiyorum) ama bu 8. sayi ile Bulten'in yayin hayati da sona erecek
gibi
 geliyor. Lingua Franca'nin (bile) onbir yil sonra "artik yeter" diye
yayindan
 kaldirildigini okuyunca, biz yine iki yil iyi dayandik diye dusundum.
Ikincisi, dil konusunda.
 "Star includes an angry letter by Judith Butler, a UC Berkeley professor
of
 rhetoric, who had been awarded first prize in a "worst writing " contest.
Butler
 accuses Lingua Franca of cheap and tawdry journalism. Jim Miller, a
New School
 dean, explores the issues in an essay that is almost too magnanimous,
"Is Bad
 Writing Necessary?" The question can be answered simply: No. But this
is not to
 say good writing must be simple-minded."
Judith Butler'la hicbir alip veremedigim yok. Ama Turkce "bilimsel"
yayinlari
 dusunmeme araci oldu bu bolum. Sanki anlasilmasin diye yazilmis; sanki,
ne kadar
 anlasilmaz olursa o kadar bilimsel olur anlayisiyla, gunluk dilden
ozenle
 uzaklastirilip, agdali ve esrarengiz havalara burundurulmus yazilar
sizin de
 sinirinize dokunmuyor mu? Lutfen dokunsun!
Emine Incirlioglu
"Paksoy, Hb" wrote:
> latimes.com
 > September 1, 2002
 >
 > HOW ONE GADFLY PUBLICATION PROVED THAT SIZE REALLY DOESN'T MATTER
Small Is
 > Beautiful
> QUICK STUDIES: The Best of Lingua Franca, Edited by Alexander Star,
Farrar,
> Straus &amp; Giroux: 514 pp., $18 paper
 >
 >
 > By RUSSELL JACOBY, Russell Jacoby is the author of "The End of Utopia"
and
 > "The Last Intellectuals," among other books. He teaches in the history
 > department at UCLA.
 >
 > When Lingua Franca, a plucky review of academic life, abruptly ceased
 > publication in 2001, its readers were left stranded, but who else
noticed?
 > Los Angeles may have a book festival and New York may be book country,
but
 > few citizens read periodicals devoted to cultural and intellectual
matters.
 > Americans, who routinely fork over 30 bucks for a month of television,
just
 > as routinely resist paying even a part of that for a year's subscription
to
 > a serious magazine. The numbers reflect the dollars. Television programs
get
 > bumped if they draw only millions of viewers. But cultural magazines
partake
 > of another world.
 >
 > A basic category in the National Magazine Awards is for periodicals
with
 > circulation "under 200,000." The term "under" should be emphasized.
Many
 > serious periodicals have circulations under 25,000. I used to write
for a
 > magazine whose circulation was 1,200. We joked that an American city
of
 > 200,000 people might have one subscriber; Chicago's readers could
gather for
 > a meal.
 >
 > Yet small (if not beautiful) may be important. Small magazines play
big
 > roles. Their impact cannot be measured in numbers. No one would calculate
 > the significance of the 1930s Partisan Review by its circulation
figures;
 > the same could be said of earlier journals like the Lively Arts or
the
 > Masses. Such magazines are passed around; they are commented upon.
They
 > serve as places for authors to try out ideas and for readers to find
new
 > writers. Invisible on the surface, the small journals are the intellectual
 > arteries of the body politic.
 >
 > Enter Lingua Franca. In 1990 a former professor of French literature
at
 > Yale, Jeffrey Kittay, had the inspired idea to put out a "review
of academic
 > life." The academic establishment supports, of course, many professional
 > magazines and one plump weekly newspaper, the Chronicle of Higher
Education,
 > directed mainly to administrators. Kittay realized these periodicals
omitted
 > the snap and crackle of academic life: the gossip, the lawsuits,
the
 > academic stars and their critics, the trends and counter-trends.
He sought
 > to publish a smart and brash journal that would capture the campus
sizzle.
 >
 > In "Quick Studies," Alexander Star, the editor of Lingua Franca for
six of
 > its 11 years, has assembled a representative sampling for the millions
of
 > Americans who never subscribed or saw a copy, since the journal never
broke
 > the 15,000 circulation barrier. He notes in his introduction that
the time
 > was ripe for an irreverent academic journal. Campuses were riven
by
 > arguments about the "cultural wars," political correctness, speech
codes,
 > multiculturalism, affirmative action, postmodernism and the like.
 >
 > Lingua Franca came out fighting with well-written forays that frequently
 > stepped on toes or, at least, raised eyebrows, most famously with
the
 > brilliant hoax by Alan Sokal, a New York University physicist. When
the
 > opaque pretentiousness of humanist academics irritated the straight-shooting
 > Sokal, he submitted to a cutting-edge cultural studies journal an
article of
 > patent nonsense, dense but filled with fashionable references and
phrases.
 > Social Text, and its theoretical bigwigs, took the bait and published
the
 > piece--titled "Transgressing the Boundaries: Toward a Transformative
 > Hermeneutics of Quantum Gravity"--only to be stunned by the next
issue of
 > Lingua Franca, in which Sokal confessed he had hoodwinked the editors.
 >
 > The Sokal brouhaha brought to the fore disputes about recent turns
in
 > humanist disciplines, mainly the rise of postmodernism and cultural
studies,
 > to which Star devotes the first section of this collection. He includes
the
 > pathetic response by the editors of Social Text, as well as another
 > confession, of an "ex-literary critic" who admits that the arid prose
and
 > rote politics served up by literary theorists (including himself)
killed his
 > love of literature.
 >
 > Several of the pieces review the jargon of the new academics. To
be sure,
 > the phenomenon of English professors who cannot write English is
not new,
 > but it has been elevated into a militant program by cultural studies
 > exponents. Its leading figures often appeal to German philosophy
to justify
 > their inability to link subject, verb and object; they maintain that
the
 > language of humanism must be ungainly to be deep. Lucidity equals
 > superficiality.
 >
 > Star includes an angry letter by Judith Butler, a UC Berkeley professor
of
 > rhetoric, who had been awarded first prize in a "worst writing "
contest.
 > Butler accuses Lingua Franca of cheap and tawdry journalism. Jim
Miller, a
 > New School dean, explores the issues in an essay that is almost too
 > magnanimous, "Is Bad Writing Necessary?" The question can be answered
 > simply: No. But this is not to say good writing must be simple-minded.
 >
 > Lingua Franca ranged far and wide; it took up everything from the
troubled
 > relationship between Milan Kundera and his translators to academics
as court
 > witnesses and the mysterious murder of a University of Chicago professor.
 > For its readers, every issue offered goodies: news about books and
academic
 > life, often featuring a central profile.
 >
 > Star signals a long essay on Jane Gallop as a Lingua Franca model.
Gallop, a
 > feminist professor, was accused of sexual harassment by several female
 > students. Like the other piece in this collection on sexual harassment,
the
 > article borders on the surreal. Gallop's decision not to write a
letter of
 > recommendation caused a student to lodge a complaint of harassment.
In the
 > lingo of "sexual harassment," Gallop's refusal demonstrated an intolerable
 > "power differential." The university seriously investigated the charge,
 > although it was finally dismissed.
 >
 > Though Lingua Franca's profiles were frequently entertaining, and
sometimes
 > illuminating, Star may have inadvertently played into the hands of
critics
 > who called the journal a People magazine for professors. Often numbingly
 > detailed, the profiles succeeded each other even as the ideas receded.
One
 > learns, for instance, that Gallop touched the chair of a student
with a bare
 > foot but nothing of her intellectual contribution, except that she
was a
 > "famous" feminist scholar.
 >
 > Profiles like these begin to feed off the American obsession with
fame. We
 > revel in details about the famous, the almost famous or the wannabes,
but
 > what are the issues? To be sure, Lingua Franca ran challenging pieces,
for
 > instance an essay on the highly regarded literary critic Paul de
Man who hid
 > his anti-Semitic past. Yet such pieces became scarcer, and it is
perhaps
 > indicative that Star leaves that article out of this collection.
 >
 > What killed Lingua Franca? Several explanations might be offered.
For
 > academics, the magazine lacked status. To be published in it brought
no
 > credit inasmuch as it was regarded as lowly journalism. To be covered
by it
 > was a dubious honor, because you could be not only celebrated but
 > besmirched.
 >
 > The journal was passed along but few professors wanted to be caught
with
 > their name on the subscription label. Lingua Franca existed like
Playboy
 > among the Boy Scouts, well-circulated and thumbed but rarely purchased.
 > Moreover, probably as a response to Lingua Franca, the Chronicle
of Higher
 > Education added more cultural and intellectual coverage, as did the
New York
 > Times.
 >
 > Finally, Lingua Franca exposed the open secret about small journals
of
 > culture and opinion in contemporary America. For all their repute,
with one
 > or two exceptions, they do not make a cent.
 >
 > The New Republics, Harper's, the Nations, and, of course, the Lingua
Francas
 > require dedicated souls with deep pockets to pay their bills. After
11
 > years, a backer of Lingua Franca decided enough was enough and pulled
out.
 > Nearly 280 million Americans did not notice, but some of us mourned
its
 > demise.
 >
 > _______________________________________________
 > Discussion mailing list
 > Discussion@lists.cstgroup.org
 > <a href="http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion">http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion</a>
_______________________________________________
 Discussion mailing list
 Discussion@lists.cstgroup.org
 <a href="http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion">http://lists.cstgroup.org/cgi-bin/mailman/listinfo/discussion</a></blockquote>
</html>

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