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<span style="font-family: URW Bookman L;"><span style="font-size:
small;">Değerli bilimselHaber üyeleri,</span></span>
<br>
<br>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;">KAD'ın MESEA (Society for Mult-Ethnic Studies: Europe
and the Americas) Derneği ile düzenlemiş olduğu "Ethnic
Identity?: (Trans)National and (Bi/Multi/Poly)Cultural Aspects"
başlıklı seminerde sunulmuş olan bildirilerin makaleye dönüşmüş
metinlerinden bir seçki ile bunlara eklenmiş birkaç makaleden
oluşan derleme, <em>Imagined Identities: The Formation of
Identity in the Age of Globalization</em> adıyla ve Harvard
Üniversitesi'nden Prof. Nur Yalman'ın önsözüyle geçtiğimiz
haftalarda Syracuse University Press tarafından yayımlandı <<a
href="http://www.amazon.com/Imagined-Identities-Identity-Formation-Globalization/dp/0815633424">http://www.amazon.com/Imagined-Identities-Identity-Formation-Globalization/dp/0815633424</a>>.</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><br>
<br>
Aşağıda, kitap hakkında bir görüş ile İçindekiler'i
bulabilirsiniz.</span></span><span style="font-family: URW
Bookman L;"><span style="font-size: small;"><br>
<br>
Saygılarımla,</span></span>
<p style="margin-bottom: 0in; line-height: 150%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Gönül Pultar</span></span></p>
<br>
<br>
<p style="font-weight: normal;"><span style="color: #000000;">“<span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em>Imagined Identities</em> offers a rich
kaleidoscope of contexts – disciplinary, geographic, and
ideological – in which restless analysts of cultural
identity, hailing from several disciplines, focus on
beguilingly tiny yet sometimes enormously revelatory detail.
Their concertedly mischievous tactic enables them to upset
various epistemic apple-carts. The challenge they pose to
received (and often imposed) wisdom will fuel critiques and
positions for years to come.”</span></span></span></p>
<p style="font-weight: normal;" align="RIGHT"><span style="color:
#000000;"><span style="font-family: URW Bookman L;"><span
style="font-size: small;">--- Michael Herzfeld, <em>Harvard
University</em></span></span></span></p>
<p style="margin-bottom: 0in; line-height: 200%;"> </p>
<p style="margin-bottom: 0in; line-height: 100%;" lang="tk-TM"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><strong>Contents</strong></span></span></p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">List of Figures and Tables</span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>Foreword by Nur Yalman</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><br>
Preface</span> by <span>Gönül Pultar</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><br>
Introduction: From Empire to the “Irresistible Shift”</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Gönül Pultar</span> </em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;" lang="tk-TM"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part One. Fiction and Transnational Identity<br>
</span></span></p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">1. <span style="color: #000000;">The Transnational
Indian Novel in English: Cultural Parasites and Postcolonial
Praxis</span><span><br>
<i>Pramod </i></span><i>K. </i><i><span>Nayar</span></i> </span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>2.</span> <span>Capturing a Nation: The
Elusiveness of Cultural Identity in Khaled Hosseini’s </span><span><em><span
style="text-decoration: none;">The Kite Runner</span></em></span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><em><br>
Tanja Stampfl</em></span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><br>
3. Lost in Transition, or A Life </span>i<span>n Between: The
Move from Empire to Nation in </span><span><em><span
style="text-decoration: none;">Pascali’s Island</span></em></span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><br>
Andrea Rosso Efthymiou</em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part Two. <span>Non</span>f<span>iction as Identity
Forger</span></span></span>
</p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">4. Creating Ethnic Memory: Takuhi Tovmasyan’s “Merry
Meals”<span><em><br>
Gönül Pultar</em></span> </span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>5. Foreign News</span>: <span>A Flagship of the
Nation in an Age of Globalization</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><em><br>
Anna Roosvall</em></span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><br>
6. “Malaysia: Truly Asia”: Double Consciousness in Malaysia’s
Tourism Advertising</span>, <span>or </span>T<span>he Double
Jeopardy of Being Malaysian</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Dawn Morais</span></em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part Three<span>.</span> <span>Performing Identity</span></span></span>
</p>
<p style="margin-bottom: 0in; line-height: 100%;"> <span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>7. “Was guckst Du?”/“W</span>h<span>addaya
lookin’ at?”: De/Constructing Germanness in </span>Prime-Time
<span>Ethnic Turkish-German Humor<em><br>
Dorothea Fischer-Hornun</em></span><span>g</span></span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;"><span></span></span></span><span style="font-family: URW
Bookman L;"><span style="font-size: small;">8. Blackface
Minstrelsy and Ethnic Identity as Globalize<span
style="text-decoration: none;">d Market</span> Commodities</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Cathy </span><span>Covell </span><span>Waegner</span></em></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><br>
9. Albert Isaac Bezzerides: Translating Ethnicity from Fiction
to Film</span></span><span style="font-family: URW Bookman L;"><span
style="font-size: small;"><span style="color: #000000;"><span><em><br>
Yiorgos Kalogeras</em></span></span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><br>
10. National Identities at Leisure: The Case of Theme Parks</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Simona Sangiorgi</span> </em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part Four<span>.</span> <span>Identity Formation in
the Post-Soviet Space</span></span></span>
</p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span style="color: #000000;">11. </span>Patterns of
Identity Formation in the Post-Soviet Space: Odessa as a Case
Study<em><span><br>
Abel Polese</span> </em></span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;">12. The Role of the Turkic Component in Current
Kazakhstani Identity Formation</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Timur Kozyrev</span></em></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><br>
13. Globalization as Fuel, Ethnicity as Engine: How Markets
Reactivate Local Culture</span></span><span style="font-family:
URW Bookman L;"><span style="font-size: small;"><em><span><br>
Emil Nasritdinov and Kevin O'Connor</span></em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part Five<span>. The New Eastern Question: Nationhood
Between Faith and Modernity</span></span></span>
</p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>14. “The Nation and </span>I<span>ts
Fragments”: Examining the Indian and the Egyptian
Nationalist Models</span><em><span><br>
Samaa Gamie</span></em></span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;">15. Building a Diaspora, Adopting a New Nationality:
Egyptian Copts in the United States</span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Fouad N. Ibrahim and Barbara Ibrahim</span></em></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><span><br>
16. </span>T<span>he Politics of Identity in Lebanon: The
Case of Hizballah</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><br>
Samer Abboud</em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Part Six. Positions </span></span>
</p>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">17. American, United Statian, Usamerican, or Gringo?<em><span><br>
Luís Cláudio Villafañe G. Santos</span></em></span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;"><span>18. Nation-State, National Identity</span>, <span>and
National Culture in the Era of Globalization</span></span></span><span
style="font-family: URW Bookman L;"><span style="font-size:
small;"><em><span><br>
Grigol Ubiria</span> </em></span></span>
<p style="margin-bottom: 0in; line-height: 100%;"><span
style="font-family: URW Bookman L;"><span style="font-size:
small;">Notes<br>
Works Cited </span></span></p>
<span style="font-family: URW Bookman L;"><span style="font-size:
small;">Contributors</span></span><span style="font-family: URW
Bookman L;"><span style="font-size: small;"><br>
Index </span></span>
<p style="margin-bottom: 0in; line-height: 100%;"> </p>
<div> </div>
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