<br><br>
<div class="gmail_quote">---------- Forwarded message ----------<br>From: <b class="gmail_sendername">Seçil Saraçlı</b> <span dir="ltr"><<a href="mailto:secil.saracli@ege.edu.tr">secil.saracli@ege.edu.tr</a>></span><br>
Date: 2010/10/11<br>Subject: 13TH INTERNATIONAL CULTURAL STUDIES SYMPOSIUM<br>To: <a href="mailto:bilimselhaber-owner@lists.kulturad.org">bilimselhaber-owner@lists.kulturad.org</a><br><br><br>
<div style="MARGIN-LEFT: 37.5pt" lang="TR" vlink="#5F7791" link="#EB8803" background="?ui=2&ik=2ca3b3b55e&view=att&th=12b9aa6ef2c44b84&attid=0.1&disp=emb&zw" bgcolor="white"><img style="MIN-HEIGHT: 0px; WIDTH: 0px" width="0" height="0">
<div>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p style="TEXT-ALIGN: center" class="MsoNormal" align="center"><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #002060; FONT-SIZE: 18pt" lang="EN-US">EGE UNIVERSITY 13TH INTERNATIONAL CULTURAL STUDIES SYMPOSIUM</span></b></p>
<p style="TEXT-ALIGN: center" class="MsoNormal" align="center"> </p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 5pt" class="MsoNormal" align="center"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #002060; FONT-SIZE: 13.5pt" lang="EN-US">May 04-06, 2011 - Izmir, TURKEY</span></b></p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%" class="MsoNormal" align="center"> </p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%" class="MsoNormal" align="center"><b><i><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Lucida Handwriting'; COLOR: #9f1913; FONT-SIZE: 18pt" lang="EN-US">CHANGE and CHALLENGE</span></i></b></p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%; TEXT-INDENT: 11.6pt" class="MsoNormal" align="center"> </p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%; TEXT-INDENT: 11.6pt; MARGIN-LEFT: 342.4pt" class="MsoNormal" align="center"><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">I am not now That which I have been. - <b>Lord </b></span><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Byron</span></b></p>
<p style="TEXT-ALIGN: center; LINE-HEIGHT: 115%; TEXT-INDENT: 11.6pt; MARGIN-BOTTOM: 0pt; MARGIN-LEFT: 165.4pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal" align="center"><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 30pt; MARGIN-BOTTOM: 0pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><i><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">Change</span></i><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> and <i>Challenge</i> are mutually inclusive, one breeding the other. Heraclitus as early as 480 B.C. analyzed the meaning of life to be the flux of change, and declared that this aspect of reality is the only experience that does not change. He based his observation on the hypothesis that flux is an interaction between binary oppositions bringing about new unities. His ideas after a considerable span of time attracted modifications by the German Idealists, especially by Hegel's philosophy of dialecticism. Thus, within Western philosophical inquiry influenced by Heraclitus, change came to be thought of as action challenged by reaction leading to synthesis. Karl Marx was later inspired to formulate historical process as class-struggle. All of these theories had been initiated by denying the credibility of any concept suggesting the existence of absolute truth. This denial had flourished in the Western mind following upon the Renaissance and found its best expression in William James' American pragmatism claiming that “ideas in an ever changing process” are valuable as long as they are adaptable to real life situations.</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 30pt; MARGIN-BOTTOM: 0pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">After the 1950s, trauma-ridden human societies desperately searched for solutions and emphasized the discontinuity of all experiences. What once used to be appropriate about labeling biological features as ‘female and male’, for instance, changed in accordance with the cultural and historical times of rejecting absolute truth. Hence, we witness the transformative role of culture on literature, as coined by Raymond Williams, carried forward into the international sphere by Terry Eagleton. Furthermore, the absolute ground of being and existence have been challenged by Foucault’s principle of reversal and discontinuity: When there is dominance, there also will be the modes of resistance to it. Dollimore’s formula of “consolation”, “subversion” and “containment” is the extension of the well-known earlier dialectical construction. The Saussurian relation of “signifier” and “signified” has come to be known as entities lending themselves to be re-interpreted as endless new “composition”. Concisely, the dichotomy between “change” and “challenge” characterizes a wide range of social, aesthetic, economic, political, cultural, and literary phenomena lending itself to endless possibilities of discussions. </span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 30pt; MARGIN-BOTTOM: 0pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">In the view of this overarching construct, we therefore invite and welcome submissions of papers of varied import: papers of theoretical, interpretive or expository nature from disciplines across the spectrum of British-American and cultural studies enhancing our understanding of changes and transformations in relation to myriad aspects of literature, linguistics, fine arts, architecture, film/media, communication, gender and political studies, critical theory, literary criticism, history, psychology, philosophy and sociology – all exploring the notion of <b><i>Change </i></b>as a <b><i>Challenge</i></b>.</span></p>
<p style="LINE-HEIGHT: 24pt; TEXT-INDENT: 30pt" class="MsoNormal"><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #1e2229; FONT-SIZE: 14pt" lang="EN-US"> </span></b></p>
<p style="LINE-HEIGHT: 24pt; TEXT-INDENT: 33.3pt; MARGIN-LEFT: 37.5pt" class="MsoNormal"><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #1e2229; FONT-SIZE: 14pt" lang="EN-US">Topics </span></b><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #1e2229; FONT-SIZE: 14pt" lang="EN-US">(<i>and suggestive subtopics</i>):</span></p>
<p style="LINE-HEIGHT: 24pt; TEXT-INDENT: 33.3pt; MARGIN-LEFT: 37.5pt" class="MsoNormal"> </p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Change and Challenge as Theme:</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US"> </span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">stories, heroes, themes, images in relation to metamorphosis, adaptation, transformation, mutation, transition, transcendence, evolution, revolution etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Academic Adjustments and Theoretical Innovations:</span></b><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> </span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">eco-criticism<b>, </b>eco-feminism<b>, </b>magic realism; post-modern, -feminist, -psychoanalytic<b>, </b>-colonial, - apocalyptic<b> </b>approaches and narratives; reconsiderations of language</span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US"> </span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">(bilingualism, heteroglossia, dialogism, pidgins); changing fields (i.e. Men’s, Islamic, Arab-American, Middle-East Studies, Cyber-culture inter-, trans-disciplinary studies, feminist geography) etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Altered,</span></b><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> </span></b><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Adapted and Appropriated</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> </span><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Texts:</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> Translations, adaptations; conflation of genres, (sub) genres, forms and techniques<b> </b>(i.e. non-, docu-, oto-, fictions, graphic novels, eco-poetry) "writing back" or responses to or revisions of earlier texts, meta-narratives; shifting techniques of intertextuality, borrowing, plagiarism, etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Redefining Spatial and Temporal Perceptions:</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> alteration of territorial, geographical, historical, limits, deterritorialization, reterritorialization</span><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #cc2868; FONT-SIZE: 14pt" lang="EN-US">,</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> changing spatial practices and space-power relations, fluidity, consumption of space, new spatial organizations and allocations, (i.e. malls, hypermarkets, theme parks), hybrid spaces, </span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #302b2a; FONT-SIZE: 14pt" lang="EN-US">intercity relations and the evolution of the urban hierarchy</span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Alternating Cultural Paradigms and Politics:</span></b><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> </span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> new cultural tensions in representations, adaptation of multi-, bi-, inter-, intra-, cross- and trans-regional/national/cultural structures and values, cultural nomadism, digi-modernism, religion’s changing role perforating cultural boundaries, multinational productions, alliances, globalization, glocalization, environmental, climatic change and changing political discourses etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Liminal Nature of Body and Identity</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US">: modified, hybrid, mixed, post-human, cyber, trans-gender, queer bodies and identities<b>, </b>deviated gender roles, altered and/or conversed race, class identities, new landscapes of the self spatial identity etc.</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; MARGIN-BOTTOM: 8pt; MARGIN-LEFT: 45pt; MARGIN-RIGHT: 53.25pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #9f1913; FONT-SIZE: 14pt" lang="EN-US">Adaptation to Technological Advancements:</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt" lang="EN-US"> Digital humanities, Hyper–media, cyber-texts, virtual reality, multimedia literacy, e-learning, nodes (social networks like Facebook, Twitter) etc..</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%" class="MsoNormal"> </p>
<p style="LINE-HEIGHT: 150%; MARGIN-BOTTOM: 5pt; MARGIN-LEFT: 63pt; MARGIN-RIGHT: 53.25pt"><span style="LINE-HEIGHT: 150%; FONT-FAMILY: Wingdings; COLOR: black; FONT-SIZE: 14pt">Ø</span><span style="LINE-HEIGHT: 150%; COLOR: black; FONT-SIZE: 7pt"> </span><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 13.5pt">Along with<span style="COLOR: black"> individual papers, the conference committee welcomes</span> round-tables, workshops and performances.</span></p>
<p style="LINE-HEIGHT: 150%; MARGIN-BOTTOM: 5pt; MARGIN-LEFT: 63pt; MARGIN-RIGHT: 53.25pt"><span style="LINE-HEIGHT: 150%; FONT-FAMILY: Wingdings; COLOR: black; FONT-SIZE: 13.5pt">Ø</span><span style="LINE-HEIGHT: 150%; COLOR: black; FONT-SIZE: 13.5pt"> </span><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: black; FONT-SIZE: 13.5pt">The languages of the conference are English and Turkish. </span></p>
<p style="LINE-HEIGHT: 150%; MARGIN-BOTTOM: 5pt; MARGIN-LEFT: 63pt; MARGIN-RIGHT: 53.25pt"><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: black; FONT-SIZE: 13.5pt"> (P</span><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 13.5pt">lease note that there will be no translations during the symposium.)</span></p>
<p style="LINE-HEIGHT: 150%; MARGIN-BOTTOM: 5pt; MARGIN-LEFT: 63pt; MARGIN-RIGHT: 53.25pt"><span style="LINE-HEIGHT: 150%; FONT-FAMILY: Wingdings; FONT-SIZE: 13.5pt">Ø</span><span style="LINE-HEIGHT: 150%; FONT-SIZE: 13.5pt"> </span><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: black; FONT-SIZE: 13.5pt">All abstract proposals are to be submitted to</span><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 13.5pt"> <a href="mailto:cultural.studies2011@gmail.com" target="_blank"><strong><span style="COLOR: #000099">cultural.studies2011@gmail.com</span></strong></a> </span></p>
<p style="LINE-HEIGHT: 150%" class="MsoNormal"> </p>
<p style="LINE-HEIGHT: 150%" class="MsoNormal"><span style="LINE-HEIGHT: 150%; FONT-SIZE: 7pt"> </span><em><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Georgia','serif'; FONT-SIZE: 13.5pt">Submissions must contain the following fields</span></em><span style="LINE-HEIGHT: 150%; FONT-FAMILY: 'Georgia','serif'; FONT-SIZE: 13.5pt">:</span> </p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">First Name, Surname of Applicant</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Title of Applicant</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Institution and Country of Applicant</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Email of Applicant</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Title of Abstract</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-SIZE: 7pt"> </span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Abstract - 300 words maximum</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-SIZE: 7pt"> </span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Biography - 150 words maximum</span></p>
<p style="MARGIN-LEFT: 1in" class="MsoNormal"><span style="FONT-FAMILY: Symbol; FONT-SIZE: 10pt"><span>·<span style="FONT: 7pt 'Times New Roman'"> </span></span></span><span style="FONT-SIZE: 7pt"> </span><span style="FONT-FAMILY: 'Palatino Linotype','serif'">Keywords – 5 maximum</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><strong><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Georgia','serif'; COLOR: #000099; FONT-SIZE: 13.5pt">Abstract Submission Deadline:</span></strong><strong><span style="FONT-FAMILY: 'Georgia','serif'"> </span></strong><strong><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 11pt">DECEMBER 12th 2010</span></strong></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #000099; FONT-SIZE: 13.5pt">Acceptance Confirmation</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #000099; FONT-SIZE: 13.5pt">:</span><span style="FONT-FAMILY: 'Palatino Linotype','serif'"> </span><strong><span style="FONT-FAMILY: 'Palatino Linotype','serif'">JANUARY 16th 2011</span></strong></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"> </p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"><strong><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Georgia','serif'; COLOR: #333399; FONT-SIZE: 13.5pt" lang="EN-US">Contact Information:</span></strong></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Prof. Dr. Atilla Silkü</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Dept. of American Culture & Literature </span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Faculty of Letters, Ege University, </span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">35100-Bornova, Izmir Turkey</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Tel</span></b><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">: +90 232 311 1974 (Asst. Prof. Secil Saracli)</span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt; MARGIN-BOTTOM: 8pt" class="MsoNormal"><b><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">Fax</span></b><span style="FONT-FAMILY: 'Palatino Linotype','serif'" lang="EN-US">: +90 232 3881102 </span></p>
<p style="TEXT-ALIGN: justify; LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"><b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt">e-mail</span></b><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 14pt">: <a href="mailto:cultural.studies2011@gmail.com" target="_blank"><strong><span style="LINE-HEIGHT: 115%; COLOR: #000099; FONT-SIZE: 13.5pt">cultural.studies2011@gmail.com</span></strong></a></span><span style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Palatino Linotype','serif'; FONT-SIZE: 13.5pt"> </span></p>
<p style="LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"><span style="COLOR: #003300">more information will be provided in these</span><strong><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #003300"> </span></strong><span style="FONT-FAMILY: 'Palatino Linotype','serif'; COLOR: #003300">website</span><span style="COLOR: #003300">s: </span><span style="COLOR: #003e75"><a href="http://ake.ege.edu.tr/new/" target="_blank"><span style="COLOR: #003e75">http://ake.ege.edu.tr/new/</span></a> <a href="http://css.ege.edu.tr/" target="_blank"><span style="COLOR: #003e75">http://css.ege.edu.tr</span></a> </span></p>
<p style="LINE-HEIGHT: 115%; TEXT-INDENT: 49.5pt" class="MsoNormal"> </p>
<p class="MsoNormal"><strong><span style="COLOR: #333399">Secil Saracli</span></strong></p>
<p class="MsoNormal"><strong><span style="COLOR: #333399">CSS.2011 </span></strong></p>
<p class="MsoNormal"><strong><span style="COLOR: #333399">IZMIR/TURKEY</span></strong></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p></div></div>
<p>EGE ÜNİVERSİTESİ<br>-----------------------------------------------------------------------<br>Bu elektronik posta ve onunla iletilen bütün dosyalar sadece <br>göndericisi tarafindan almasi amaclanan yetkili gercek ya da tüzel<br>
kisinin kullanimi icindir. Eger söz konusu yetkili alici <br>degilseniz bu elektronik postanin icerigini aciklamaniz, <br>kopyalamaniz, yönlendirmeniz ve kullanmanizkesinlikle yasaktir <br>ve bu elektronik postayi derhal silmeniz gerekmektedir. <br>
<br>EGE ÜNİVERSİTESİ bu mesajin icerdigi bilgilerin doğruluğu veya<br>eksiksiz oldugu konusunda herhangi bir garanti vermemektedir. Bu<br>nedenle bu bilgilerin ne sekilde olursa olsun iceriginden, iletilmesinden, <br>alinmasindan ve saklanmasindan sorumlu degildir. <br>
Bu mesajdaki görüsler yalnizca gönderen kisiye aittir ve <br>EGE ÜNİVERSİTESİ'nin görüslerini yansitmayabilir<br><br>-----------------------------------------------------------------------<br><br>This e-mail and any attachments may contain confidential and<br>
privileged information. If you are not the intended recipient,<br>please notify the sender immediately by return e-mail, delete this<br>e-mail and destroy any copies. Any dissemination or use of this<br>information by a person other than the intended recipient is<br>
unauthorized and may be illegal.<br><br>EGE UNIVERSITY makes no warranty as to the accuracy or completeness <br>of any information contained in this message and hereby excludes any<br>liability of any kind for the information contained therein or for <br>
the information transmission, reception, storage or use of <br>such in any way whatsoever. The opinions expressed in this <br>message belong to sender alone and may not necessarily reflect the<br>opinions of EGE UNIVERSITY.<br>
</p></div><br>