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<b>CALL FOR PAPERS | VIRTUAL HISTORIES</b>
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<td>CALL FOR PAPERS | VIRTUAL HISTORIES<br>
Graduate Humanities Forum | <a class="moz-txt-link-freetext"
href="http://humanities.sas.upenn.edu/ghf.shtml">http://humanities.sas.upenn.edu/ghf.shtml</a><br>
Penn Humanities Forum | <a class="moz-txt-link-freetext"
href="http://humanities.sas.upenn.edu">http://humanities.sas.upenn.edu</a><br>
University of Pennsylvania
<p>DEADLINE: THURSDAY, OCTOBER 14, 2010<br>
SUBMIT proposals (250 words maximum) and one-page CV by e-mail
attachment to Scott Enderle (<a class="moz-txt-link-abbreviated"
href="mailto:enderlej@english.upenn.edu">enderlej@english.upenn.edu</a>).
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<p>The Graduate Humanities Forum of the University of
Pennsylvania invites
submissions for its 11th annual conference: "Virtual Histories." The
one-day interdisciplinary conference will take place on Friday,
February 18th, 2011 at the Penn Humanities Forum in conjunction with
its 2010-2011 topic: "Virtuality." </p>
<p>Ours is, as the commonplace would have it, an age of
information. Viewed as part of the old-fashioned scheme of Stone,
Bronze, and Iron, our age seems rarefied indeed: hard yet malleable,
iron is apt to be shaped by our will, but information is infinitely
more so. Poised to escape into pure ideality, we may find it easy to
forget that the virtual also has a history. </p>
<p>"Virtual Histories" foregrounds the historical matrix in which
our information technologies are embedded, seeking traces of the
virtual in the rituals and dreams of the past, while at the same time
considering the history of virtuality as one not yet enacted. </p>
<p>We invite submissions from a wide range of disciplines
exploring points of continuity and rupture between past, present, and
future virtualities. How do the other worlds of religious doctrine
overlap with the other world of Second Life? What is the long history
of icons, scripts, and avatars? To what degree are instant wire
transfers more virtual than the bills of sale and credit, bank notes,
or paper money of earlier centuries? What is the phenomenology of a
bank run? What are the ramifications of virtual experience for the
empiricism of Locke, Berkeley, and Hume? What is the material history
of the virtual? How have constructs of gender and race virtualized
bodies, and what are the ethics of bodily escape and transcendence
among Platonic users of sites such as match.com? </p>
<p>At the same time as we seek to historicize the virtual, we
invite contributions that limn possibilities not yet realized,
exploring the potential of distant reading and text mining, and
considering prospects that continue to emerge for politics, social
interaction, and art, not only in visual, but also in auditory and even
tactile forms. What new subjectivities and experiences might the
virtual make available, perhaps even as it calls into question the
stability of those concepts? </p>
<p>Other topics for proposals might include the following: </p>
<p>-The demarcation of the virtual.<br>
-The material bases of virtual superstructures.<br>
-"New" media of past eras and virtual appropriations of "old" media.<br>
-Grammars and ideologies of the virtual.<br>
-Imagined communities and virtual nations.<br>
-Intellectual Property and virtual appropriation.<br>
-Mimesis, simulation, and sensory prosthetics. </p>
<p>Conference Keynote: LISA NAKAMURA (Illinois, Urbana-Champaign)<br>
GRIEFING CULTURE AND INCIVILITY ON THE INTERNET<br>
Lisa
Nakamura is the author or coeditor of four books, including _Digitizing
Race: Visual Cultures of the Internet_ (University of Minnesota Press,
2007) and _Race After the Internet_ (with Peter Chow-White, Routledge,
forthcoming 2011). She is currently working on a new monograph
tentatively entitled Workers Without Bodies: Towards a Theory of Race
and Digital Labor in Virtual Worlds. Nakamura is the Director of the
Asian American Studies Program, Professor in the Institute of
Communication Research and Media Studies Program, and Professor of
Asian American Studies at the University of Illinois, Urbana-Champaign,
where she teaches courses on Asian Americans and media as well as
introductory and advanced courses on new media criticism, history, and
theory. </p>
<p>Proposals should be no longer than 250 words, and should be
submitted along with a one-page CV by email attachment to Scott Enderle
(<a class="moz-txt-link-abbreviated"
href="mailto:enderlej@english.upenn.edu">enderlej@english.upenn.edu</a>).
The deadline for proposals is Thursday,
October 14th, 2010. </p>
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src="cid:part1.06020700.04060301@kulturad.org" alt="" height="1"
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<td width="100%">Scott Enderle <br>
Email: <a href="mailto:enderlej@english.upenn.edu">enderlej@english.upenn.edu</a><br>
Visit the website at <a
href="http://www.phf.upenn.edu/10-11/ghf/cfp.shtml">http://www.phf.upenn.edu/10-11/ghf/cfp.shtml</a>
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